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Yehudi Menuhin was a rich enigma: a gentle spirit tied to an implacable will: a perfectionist who loved amateurs and young beginners; an ascetic who relished down-to-earth pleasures.
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Menuhin didn't just play the violin. Rather he seemed to regard
music as a kind of prayer made audible, and mellifluous. Nothing in the world was so natural, or so pleasurable. Nothing was more indispensable.
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He was a driven communicator. And he never sidled, he surged. All his life long there were books, articles, speeches, feverish phone calls and frequent letters to the press.
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The foundation and the school; the festival and the academy; the charitable organizations and the competitions he created - they are his evident legacy.